“SIXTY MINUTES” (2024) | Film Review
‘60 MINUTES’ (2024) is the first German martial arts film to be distributed by Netflix, and it impresses with authentic action and a plot that almost everyone can identify with.
“LAST LOOKS” (2021) | Film Review
Crime thrillers are exciting. Readers or viewers want to know who the murderer is and follow the story closely, picking up breadcrumbs, becoming detectives themselves until they realise they are on the wrong track.
“HOUDINI” (2024) | Music Video Review
Harry Houdini was born on Halloween in October and died in Detroit at the age of 52. Eminem is from Detroit and will be 52 years old this October. Just one reason why his new single is entitled ‘HOUDINI’.
“BEING ELMO” (2011) | Film Review
There are good reasons why you should watch this documentary. Firstly, because it will awaken your inner child and remind you of “better” times. And secondly, because the story of KEVIN CLASH can serve as a model for good parenting.
“OPERATION FORTUNE” (2023) | Film Review
I love spy films, conspiracies and tech villains. And when GUY RITCHIE pulls out his director’s guns, you’re in for an entertaining film experience. In “OPERATION FORTUNE” (2023), actor and stuntman DANNY is blackmailed into becoming an agent, thus picking up on the old tale that even Elvis Presley worked for the CIA. Imagine the stories.
“ATLAS” (2024) | Film Review
You may think what you like about JENNIFER LOPEZ, but there’s one thing you can’t deny her: The woman demonstrates iron discipline when it comes to her top looks in her mid-50s, her associated health and her commitment to action film roles.
“RICKY STANICKY” (2024) | Film Review
Admittedly, the comedy genre has been dead for a long time. When was the last time there was a real comedy? You’d think that in today’s chaotic times, people would be craving more hilarity and light fare. Perhaps that’s exactly what RICKY STANICKY (2024) was trying to do.
“ROAD HOUSE” (2024) | Film Review
After what feels like the 100th US remake of a classic film, you inevitably wonder whether the filmmakers have run out of ideas. This is less likely to be the case, but rather the desire to build on a long-past success with as few resources as possible.